A Passing Storm

It is a clear, sun-shiny day here at Green cove, yet the air is filled with the violent sound of thunder from over the mountains. Breezes here on the ground are gentle, yet a glance up through the trees reveals a turbulent sky filled with motion and activity.

Free from the burden of keeping dry, I seat myself on a rock in the middle of the cove — surrounded on all sides by mountains sloping steeply upward. Listening closely, the storm is neither approaching nor receding -instead, it is diligently moving around green cove — patiently surrounding the valley on all sides.

The sky is beginning to darken, and a light rain has begun to fall — early harbingers of a massive onslaught that could come at any moment. Yet rather than dropping her load on this peaceful community of green cove, mother nature seems to be moving on this time. At the height of tension, the sound of a single bird could be heard chirping off in the field, only then to be joined by others. As if by some magical authority, this solitary bird had called to all the others that the coast is clear, so that they could again go on with their daily activities.

Copyright (C), 1998, by Ashley Guberman

Pole Creek Solo Area

Blue Ridge Mountains, NC

These are the mountains of North Carolina — it rains here. It rains a lot. Occasionally, there is a brief period of warning, such as the sound of distant winds carrying the rains in my direction, or the thunder that looms far way, then approaches my tarp, but most often it just rains.

The under side of a tarp has no doors, nor walls — it is merely a roof. As such, it affords one the opportunity to look out in all directions and see that there is no front, nor back to a rain storm — it is all just degrees of middle, and all of it is wet.

While the students are out on solo, I am under their group tarps. There are a few tiny spaces that are sheltered, but, the lower of the two tarps has now sunk completely to the ground and is collecting a pool of water now approaching 15 inches deep. All that is missing is the goldfish.

* * *

I’m sitting by the side of a small creek with my feet completely immersed in a hole I’ve dug. Like a child who’s shovel is his only toy, I’ve managed to cover myself in mud as I move dirt and sand from one place to another.

"Your making a mess!" I hear from the dark recesses of my mind.

"I don’t care!" is the prompt reply. I’m an adult now, and time has come to have some fun, even if I get muddy from my toes to my nose! The earth is full of dirt, and she delights in holding you deep within her arms! So go ahead — GET DIRTY!!

Copyright (C), 1998, by Ashley Guberman

South of Three Forks Junction, Georgia

Having climbed steeply up the bank of a large gorge, we finally arrived at our point of crossing. From above, the water is calm, gentle, and cool. Hovering 6 inches above the surface of the water is a deep mist that burns off as it emerges from under the canopy of leaves and enters the direct sunlight.

Soon, the calmness is broken by sharp bends, long drops, and narrow passages. The water drops maybe 50 feet in as many yards, and on its vertical decent it strikes an upturned rock dead-on, splattering out in all directions, forming a broad flower pattern as the gorge widens momentarily to the light of day.

The banks are still steep and black, worn smooth in parts with the passage of time. As the channel continues down stream, the canopy again closes in around it, hiding the gorge from all but those who venture close to its edge.

Copyright (C), 1998, by Ashley Guberman

Water Cycles

I am in constant wonder as I sit on the bank of small rivers or streams. The water flows down from above, climbing over or around the rocks and other obstacles in its path, and continues on its thoughtless journey down hill to the oceans.

The bank opposite me shows clear signs of erosion — a steep slope, bare rocks, and trees hovering well over the water, clinging desperately to the side with long, tentacled roots that bore deep into the ground.

Day and night, and throughout the seasons the water flows, always from an unknown and invisible source. Expanding my view, I look beyond the banks to see a dense and intensely green canopy of trees and vines. And further still, beyond the speckled holes in my leafy, lofty ceiling, a field of blue and purple holds on to the ever growing moisture sent up from below.

From lands far away, the sky is burdened to hold more and more water until at last she can hold no more. Having carried the clouds great distances, she becomes dark, tired, and forceful, and then returns her load to the ground from which it came.

Copyright (C), 1998, by Ashley Guberman

Sally Mountain

Today, walking through the misty forest, everything took on an ethereal quality. Sounds were muted by pattering rain drops, and sight was limited to the land immediately beyond my feet. Standing still, I could watch my crew of students emerge from behind a wall of cloud, and then disappear again as they moved on. Such was the case with everything — momentarily coming into soft focus, then fading away into the depths of the forest.

Copyright (C), 1998, by Ashley Guberman

Green Cove – My New Home

Tessentee, NC

It is now dusk on the first night at my new location at Outward Bound. Four people are playing guitar, one harmonica, one penny whistle, and a mandolin. They are playing "Blues" with OB-type lyrics, attesting to the gripes that crews of past have endured.

I was wishing I played an instrument, but alas, mine is simply a gift of another kind. Mine is the gift to move pen on paper and set thoughts free for all to see who take interest:

Much of the fervor of playing that existed earlier in the evening has faded away now. There are but a few spurious notes here and there from a mandolin, and the chatter of voices discussing various things of no great import.

The light of dusk is fading into nothingness, and peeper frogs are beginning to claim their place in the sounds of night.

Staring onto the porch, faces fade into silhouettes, and shadows lengthen from the light within the cabin. This camp is to be my residence for the next few months… Green Cove shall indeed be my home.

Copyright (C), 1998, by Ashley Guberman

Staff Training, NCOBS 91

Hawksbill Mountain, NC

There is a Whip-poor-whill off in the distance. I’ve never actually seen one, nor has its call been pointed out to me, but the song I hear is so distinct, I hardly believe it could be anything else.

As the moon is revealed and then hidden again by the clouds, I’m thinking of how this is going to be a very significant moon, with many new experiences. How many moons have passed since the first time I climbed up mount Monadonack at midnight? Quite a few.

Copyright (C), 1998, by Ashley Guberman

Winged Corks

Potomac River, Maryland

As spring rolls around, the water levels on the Potomac surge and boaters abound. At Rocky Island, waves of 5 feet stand in one place, daunting eager kayakers — imploring them to come play in the water with their winged corks they call a craft.

The scope of the waves and thrust of the current lures boaters close to the power, only then to hurl them back from whence they came. To play on waves of this size, one must first be introduced to them — and often, this is done face to face, and from the under side of the boat.

And upon righting yourself to the surface of the water, there is an incredible sensation of being lifted high atop the crest of the wave, so that all may see you before the force of gravity sends you to the bottom of the next trough.

But when gravity and the ever increasing current work together, your boat climbs the hill of the next crest with such speed and momentum that at last you take to the sky — even if only for a moment, before gently coming to rest in the arms of a thousand rain drops.

We are but a toy to the forces of nature, but with proper skill and heart-felt respect for her power, she will play with us and reflect our love.

Copyright (C), 1998, by Ashley Guberman

Mesa Trail, Colorado

Definite darkness is setting in. I did not get as far up the mountain as I wanted to. Seeing a 200 foot rock climb, I felt an incredible urge to get to the top. The climb started to approach safety limits for a free climb, given that I’d have to descend in the dark. As it is, I am maybe 150 feet into the climb and having difficulty seeing my own writing.

On the East coast, there are mountains with rock out-croppings. Here, there are mountains of rock. All the while, climbing up to where I am now, I felt it was a stupid thing to do, yet my compulsion to move forward was far greater. But at this point, I MUST descend — at the very least, I must get below the technical portion of the climb…

* * *

It is as dark as it’s going to get. Somehow, it is very still and warm up here. On the last part of the descent, I felt fear — fear that I would fall. But I stopped and felt the fear; breathed it and let it pass through me. In that fear, I think I realized why I made this evening’s trek in the first place: Because when I was afraid, I again realized that I am where I am as a direct result of my choices. Were I to fall, stay put, or make it down, it would be solely because I chose to do so and took actions to carry out my choice. This is important — not only for the moments just past on the rock, but to all of my life.

I am where I am because of my choices and actions upon those choices. Never forget the power of ones own will to determine ones reality. I climbed tonight because I needed to be reminded of this fact.

* * *

As I start my journey back home, having returned to the relative safety of snow covered mountain trails, I happen to look up at the sky — stars.

From my present vantage point, I stand at the center of three unique worlds. Behind me is the deep, solid, blackness of rock, trees and ice — almost absorbing all light that falls upon them.

In front of me is the city of Boulder, yet it is far enough away that only the changing pattern of lights makes it this far. Thousands and thousands of brilliant lights in an unending effort to push back the darkness.

And above me is the most spectacular of the three worlds — the endless heavens speckled with pinpoints of light so very distant, yet proclaiming your right to reach for your dreams. And I, a mere mortal, have been given the privilege to walk through this junction and see the splendor of their union.

Copyright (C), 1998, by Ashley Guberman

Solo Trip

North Carolina

8/11/90 – 8/13/90

This solo is long overdue. As I pull into the parking lot, the "trailhead" sign takes on a special significance. "This is the beginning," it implies. Just where it comes out, you will have to travel and see for yourself. And the trails continually split, leaving me to choose my direction in an unknown land.

Yet the trails through these woods look much the same as trails in other woods. Though I’ve never been here before, somehow I know I’m on familiar ground. There are trees and streams and sights and sounds all about me, and it doesn’t quite matter which way I go, so long as I know how to get back when I’m ready to leave.

* * *

Deciding where to camp: while walking along a trail that parallels a stream, I found myself looking for a place to camp. Yet with each potential spot, I would say to myself "what if there is something better around the bend?" Although on one level, the question makes perfect sense, I wonder how many really good sites might be passed up due to expectations of what may follow.

* * *

Solos are indeed unique and valuable. There is something special about spending time alone in the woods. I walk through steeply sloping hills and valleys and am made quite aware of the fact that I am a living being and that the earth is my home. A house on a plot of land provides permanent, secure shelter, but houses in towns and cities have become so removed from the natural environment that a tent in the woods is often a far more comfortable and realistic place to live.

* * *

Talking — the ability to speak our thoughts to others is truly phenomenal. Yet on solo, there is really no need to make any noise at all. By themselves, people are basically silent creatures.

* * *

I’m perched beneath a dense grove of rhododendrons, looking out to the creek in front of me. Occasionally, drops of rain fall through the canopy to reach me, but they are nothing compared to the torrent of rain I see just feet in front of my face. I’m sitting here, protected, looking through a natural window to a world of wetness.

* * *

Few things are as much fun as the simplicity of throwing rocks at a pool of water. Big ones, small ones, flat, round, pointed or square ones — throwing rocks is just fun to do. I like to spin them and watch their gyrations as they are following the parabolic arc that starts as they leave my hand and ends with a splash or a thunk when they hit the water.

Aim is not important, but trying to hit some target can easily occupy a young mind for hours on end. And once the rock lands in the water, the surface quickly struggles to regain its composure. Having sunk to the bottom, the stone becomes motionless until stronger currents or another hand sends it soaring again.

* * *

I’ve been sitting here on a cold rock for close to an hour now, yet were it not for the encroachment of night, I imagine I’d stay for several more.

The repeating terraces in the stream in front of me have changed from a reflecting sheet of glass to a taught fabric of darkness. The individual leaves and branches along the shore have merged to become a curtain across the horizon.

The rocks and white ripples are the last of the details to fade into night, but as visual details give way to the darkness, the air becomes filled with the sounds of the emerging world of night. First comes the peeper frogs, then the crickets, followed shortly by the flutter of the bats, the buzz of mosquitoes, and the cries of distant owls hunting afar. Dusk is less the end of day than it is the transitory gateway to life in the dark.

 

Copyright (C), 1998, by Ashley Guberman