Archives for 1990

Mesa Trail, Colorado

Definite darkness is setting in. I did not get as far up the mountain as I wanted to. Seeing a 200 foot rock climb, I felt an incredible urge to get to the top. The climb started to approach safety limits for a free climb, given that I’d have to descend in the dark. As it is, I am maybe 150 feet into the climb and having difficulty seeing my own writing.

On the East coast, there are mountains with rock out-croppings. Here, there are mountains of rock. All the while, climbing up to where I am now, I felt it was a stupid thing to do, yet my compulsion to move forward was far greater. But at this point, I MUST descend — at the very least, I must get below the technical portion of the climb…

* * *

It is as dark as it’s going to get. Somehow, it is very still and warm up here. On the last part of the descent, I felt fear — fear that I would fall. But I stopped and felt the fear; breathed it and let it pass through me. In that fear, I think I realized why I made this evening’s trek in the first place: Because when I was afraid, I again realized that I am where I am as a direct result of my choices. Were I to fall, stay put, or make it down, it would be solely because I chose to do so and took actions to carry out my choice. This is important — not only for the moments just past on the rock, but to all of my life.

I am where I am because of my choices and actions upon those choices. Never forget the power of ones own will to determine ones reality. I climbed tonight because I needed to be reminded of this fact.

* * *

As I start my journey back home, having returned to the relative safety of snow covered mountain trails, I happen to look up at the sky — stars.

From my present vantage point, I stand at the center of three unique worlds. Behind me is the deep, solid, blackness of rock, trees and ice — almost absorbing all light that falls upon them.

In front of me is the city of Boulder, yet it is far enough away that only the changing pattern of lights makes it this far. Thousands and thousands of brilliant lights in an unending effort to push back the darkness.

And above me is the most spectacular of the three worlds — the endless heavens speckled with pinpoints of light so very distant, yet proclaiming your right to reach for your dreams. And I, a mere mortal, have been given the privilege to walk through this junction and see the splendor of their union.

Copyright (C), 1998, by Ashley Guberman

Solo Trip

North Carolina

8/11/90 – 8/13/90

This solo is long overdue. As I pull into the parking lot, the "trailhead" sign takes on a special significance. "This is the beginning," it implies. Just where it comes out, you will have to travel and see for yourself. And the trails continually split, leaving me to choose my direction in an unknown land.

Yet the trails through these woods look much the same as trails in other woods. Though I’ve never been here before, somehow I know I’m on familiar ground. There are trees and streams and sights and sounds all about me, and it doesn’t quite matter which way I go, so long as I know how to get back when I’m ready to leave.

* * *

Deciding where to camp: while walking along a trail that parallels a stream, I found myself looking for a place to camp. Yet with each potential spot, I would say to myself "what if there is something better around the bend?" Although on one level, the question makes perfect sense, I wonder how many really good sites might be passed up due to expectations of what may follow.

* * *

Solos are indeed unique and valuable. There is something special about spending time alone in the woods. I walk through steeply sloping hills and valleys and am made quite aware of the fact that I am a living being and that the earth is my home. A house on a plot of land provides permanent, secure shelter, but houses in towns and cities have become so removed from the natural environment that a tent in the woods is often a far more comfortable and realistic place to live.

* * *

Talking — the ability to speak our thoughts to others is truly phenomenal. Yet on solo, there is really no need to make any noise at all. By themselves, people are basically silent creatures.

* * *

I’m perched beneath a dense grove of rhododendrons, looking out to the creek in front of me. Occasionally, drops of rain fall through the canopy to reach me, but they are nothing compared to the torrent of rain I see just feet in front of my face. I’m sitting here, protected, looking through a natural window to a world of wetness.

* * *

Few things are as much fun as the simplicity of throwing rocks at a pool of water. Big ones, small ones, flat, round, pointed or square ones — throwing rocks is just fun to do. I like to spin them and watch their gyrations as they are following the parabolic arc that starts as they leave my hand and ends with a splash or a thunk when they hit the water.

Aim is not important, but trying to hit some target can easily occupy a young mind for hours on end. And once the rock lands in the water, the surface quickly struggles to regain its composure. Having sunk to the bottom, the stone becomes motionless until stronger currents or another hand sends it soaring again.

* * *

I’ve been sitting here on a cold rock for close to an hour now, yet were it not for the encroachment of night, I imagine I’d stay for several more.

The repeating terraces in the stream in front of me have changed from a reflecting sheet of glass to a taught fabric of darkness. The individual leaves and branches along the shore have merged to become a curtain across the horizon.

The rocks and white ripples are the last of the details to fade into night, but as visual details give way to the darkness, the air becomes filled with the sounds of the emerging world of night. First comes the peeper frogs, then the crickets, followed shortly by the flutter of the bats, the buzz of mosquitoes, and the cries of distant owls hunting afar. Dusk is less the end of day than it is the transitory gateway to life in the dark.

 

Copyright (C), 1998, by Ashley Guberman

Whites Run – II

Seneca Rocks, WV

Rivers and water ways have always been a vital part of the life of all living things. Moments ago, sitting on the bank of a calm, gentle stream, I had become quite accustomed to the droning, rhythmic sound of the falling water.

Leaving the water behind to run its course, the sound began to change. Suddenly, the babble of a small stream had changed to the roar of a larger river. I returned to the water to watch what once were footsteps turn into meager obstacles for an unending flow of energy, force, and life. The sheer spontaneity with which the water ways alter themselves makes clear the infinite power of a single drop of water.

The air too has changed — as though the river were not content to simply flow in her banks — instead, through mists and sprays, the air is filled with the joy that no stream bed can contain. Sing, laugh, rejoice — the rains have come to bring life!

And with the onslaught of more water, much is sent adrift. Sticks, rocks, logs along the shores — they have waited, perhaps for weeks, for the river to carry them onward. With its arrival, these free loading passengers joyously bob over all that is in their path.

I watch from the shores as so many things pass me by and I feel an incredible urge to just leap into the center of the current to see where it would like to take me.

As I walk the sides of this newly formed water course, I come to the junction of still another feeder stream. This, however, has remained unchanged by the rains further away. It’s odd to think that one fork could so dramatically change her character while her sister arms merely smile as they join her.

Whites Run – I

Copyright (C), 1998, by Ashley Guberman

Whites Run – I

Seneca Rocks, WV

Sitting on the edge of a stream bed, in a place where it intersects a dirt road, I feel I am watching the cross road of two distinct paths.

The stream flows gently down the rocks, sweeping small sticks, leaves and seeds from the banks and deposits them far from home. There is a gentle, soothing sound as the water cascades over the obstacles in its path, and all seems as it should be. The course of the water runs through forests, fields, swamps, along the sides of roads, and through small towns.

The road, rocky, old and worn, follows a different course. It leads through fields and meadows and up into the hills. While the stream takes water on its perpetual journey to the ocean, these back-country roads take man into the hills.

Now and again, the two cross each other. Though an unnatural intrusion at first, these roads are the fingers we use to reach out and grasp the beauty of the land on its sides.

Whites Run – II

Copyright (C), 1990, by Ashley Guberman